The red-and-green highly visible headphones are my protective shield as I walk past barely-shuffling heroin user and the teenage runaways. The song changes to "Lady in Black" and there's a spring in my step. I descend the marble stairs - instead of taking the escalator with its "everyone knows you're high" stickers and the luggage-lugging tourists - and sing along under my breath, a 21st century chorus to an immortalized 1971 version of Uriah Heep.

A short walk on this connecting platform, also marble, and a swipe of the fare card sounds a familiar beep, an announcement to the whole station that I've paid my way, nothing to see here folks. I fly down the stairs, the soles of my shoes barely making contact with the steps. After two or three of these, my feet lift off and I'm leaping, descending past a dozen hard hard marble outcroppings. A voice screams inside my skull, a few beats too late.

I'm falling, the ground is coming up awfully fast, there's a gasp from above but I can't look up, can't look away from the nondescript spot on the floor where I anticipate to make my painful landing.

But I don't fall. The ground isn't flying up to smack me in the face. It was, but then rethought, changed its mind, and receded from me instead.

Author's note: this story is a result of following along a lecture by Mary Robinette Kowal.

Pan, the world-famous rocket-jockey and world-class asshole, was going to die like a real captain: stuck on top of the open-air deck of his high-speed hover coast-runner (coaster, in the parlance of our times), holding onto a handrail for dear life, screaming into the merciless tropical storm that was about to make landfall. He couldn't get back inside the cockpit, and the storm was about to cut his trip short.

On a cloudy weekend afternoon Martin drove his pickup a few hours away, to a town farther up the coast, one that is marginally larger than his own village, and found a store that is somewhere between an antique shop and a battered-goods store. They had chairs and a table for a few bucks, pretty vases at a steep discount. He spent forty bucks and loaded up his purchases in the truck, small bits in the passenger seat, larger items in the bed, then headed back. During the drive he glanced at the mostly-ceramic haul next to him and started telling himself stories about each piece.

World's Okayest Dad mug ended up at the store after the father fled, in the middle of the night and with a battered suitcase. The mother was relieved to take his belongings, box after box, to the used-goods shop.

The picture frame with the twin sisters at graduation was left behind during one of the many moves. The landlord's wife took the forgotten junk over last week, having tired of the lost-and-found box that no one ever asked about. The sisters were now running a coffee shop, on the other side of the country, and didn't even realize they were missing this picture. One of dozens they had always around.

Some stories, Martin told himself, needed to be happy ones.

He drove and thought and plotted and cursed his brain. Behind the wheel, twisting through picturesque landscapes, Martin was free to come up with detailed stories, his brain in overdrive as it supplied oodles of tiny bits of trivia that rendered a fictional reality. But as soon as he made it home, had walked into his living room and plopped down in front of his typewriter, his brain seized up in mental constipation.